3 10 66 https://nmrashedarchive.com/files/original/6513e674bde70d7a7a6c4aebad21eda3.jpg 01411cf5765d47f21b2eed3fb4fd034a Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. No. of Files The number of files making up the digital item. 1 No. of Pages The number of pages in an item. 1 No. of Sheets The number of sheets in an item. 1 Physical Dimensions The actual physical size of the original image 8 x 11.5" Box The box in which the physical item is located. 2 Folder No. The number of the folder in which the physical item is located. 5 Folder Name The name of the physical folder in which the item is located. English translations of NMR poetry and letters to editors Item No. A unique number for an item within a folder. 14 Recipient The recipient of a letter or other item. Coppola, Carlo Digitizer Name of the person who scanned or re-scanned the item. Zahra Sabri Cataloger Name of the person who cataloged the item. Zain Mian Donor Name of the person who donated the item. Yasmin Rashed Hassan Year of Donation The year in which the item was donated. 2015 Repository Name of the institution in which the physical item resides Institute of Islamic Studies, McGill University, Montreal Summary Rashed, N. M. Letter from N. M. Rashed. To Coppola, Carlo. Apr. 11, 1966. 1 p. 1 sheet. 8 x 11.5". Typewritten. Letter from N. M. Rashed to Carlo Coppola, PhD student at University of Chicago, regarding a possible interview in the periodical Mahfil. English. Box 2. Folder 5: English translations of NMR poetry and letters to editors. 014. Digitized by Zahra Sabri. Catalogued by Zain Mian. Donated (2015) by Yasmin Rashed Hassan to the Institute of Islamic Studies, McGill University, Montreal. Article In 1966, Rashed exchanged letters with Carlo Coppola. Today, Coppola is a distinguished scholar of South Asia and a Professor Emeritus at Oakland University.<a href="#fn1">[1]</a> At the time, however, he was still a graduate student completing his PhD on Progressive Urdu Poetry at the University of Chicago.<a href="#fn2">[2]</a> Rashed was meanwhile resident in New York, where he worked as Director of the United Nations Information Center for Iran.<a href="#fn3">[3]</a> In the letter preceding this one, Coppola solicits an interview from Rashed. This interview is meant for publication in Mahfil, a journal of South Asian literature that Coppola co-founded with C. M. Naim in 1963. Coppola intended this interview for a special issue of Mahfil that would focus on literary culture in Pakistan. In the previous letter, Coppola informed Rashed he would be in New York for the Association of Asian Studies Convention between the 4th and 6th of April. He asked Rashed about the possibility of recording an interview during this time, but mentioned that he would need a tape-recorder as bringing his own would prove difficult. This interview, he tells Rashed, would examine current trends in Pakistani poetry, and address more general questions about the literary situation in Pakistan. A summary of Rashed’s response is below: <blockquote>From: N.M. Rashed, Room 1037, United Nations Headquarters, New York, N.Y., 10017. Written 04/11/1966. To: Mr Carlos [sic] Coppola, Box No. 39, Foster Hall, University of Chicago, Chicago, Illinois, 60637. Replied 05/11/1966.<a href="#fn4">[4]</a> Rashed mentions he was unable to send a positive reply to Coppola’s letter as he remained unsure of his return from Geneva by April 6th. He has returned to New York on the 8th and inquires about Coppola’s visit and his possible disappointment at not being able to meet Rashed. Rashed echoes Coppola’s feelings that it would be difficult to record at the Asia Society. He informs him that tape-recording equipment is available at the UN office but it would be unsuitable for such personal use. Rashed mentions that he does not have a tape-recorder at home, but offers to answer Coppola’s questions via post. He suggests having a friend voice the questions on Coppola’s behalf, should recording equipment become available.</blockquote>As per Rashed’s suggestion, the interview was conducted via post. Rashed was very particular about his interviews: not only did he reorder and remove some of Coppola’s questions, but also insisted on first recording his answers and then having them transcribed. This, he felt, would preserve the freshness of the interview and make it “much more natural” than otherwise.<a href="#fn5">[5]</a> Despite Rashed’s keenness, however, the idea of an issue of Mahfil ;on Pakistani literature failed to materialise for quite some time. This likely happened as a result of the numerous difficulties Coppola faced in gathering submissions from other writers and translators, most of whom proved much less forthcoming than Rashed.<a href="#fn6">[6]</a> Indeed, though this interview was completed in 1966, it did not appear in Mahfil until 1971.<a href="#fn7">[7]</a> By this time, an Urdu translation had already been published in Rashed’s Lā = Insān, which came out in 1969. The Mahfil interview can be read <a href="http://www.jstor.org/stable/40874401?seq=1#page_scan_tab_contents">here</a>. <div><a href="#fref1">1</a> "Department: - Department of Modern Languages and Literatures - Oakland University - Acalog ACMS," accessed August 12, 2015, http://catalog.oakland.edu/preview_entity.php?catoid=20&ent_oid=641&returnto=1555. <a href="#fref2">2</a> Coppola, Carlo. "Urdu poetry, 1935-1970: The Progressive Episode." The University of Chicago, 1975. <a href="#fref3">3</a> Zakir, Mohammed. Poems of N. M. Rashed: A Poet of the Third World.New Delhi: M. D. Publishing, 1995. p. 29. <a href="#fref4">4</a> Coppola’s first name is "Carlo" and not "Carlos" as Rashed has written here. <a href="#fref5">5</a> Letter from N.M. Rashed to Carlo Coppola, May 20th, 1966. Letter in Noon Meem Rashed Archive. <a href="#fref6">6</a> Letter from Carlo Coppola to N. M. Rashed, September 24, 1966. Letter in Noon Meem Rashed Archive. <a href="#fref7">7</a> Mahfil 7, no. 1/2 (1971): front matter.</div> Article Author Zain Mian Article Timestamp 2015-08-12 Article Citation Mian, Zain. "Letter from N. M. Rashed." Noon Meem Rashed Archive, Aug 12, 2015. URL https://archive.org/details/LetterFromN.M.Rashed Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter from N. M. Rashed Subject The topic of the resource Rāshid, N. M., -- 1910-1975 Description An account of the resource Letter from N. M. Rashed to Carlo Coppola, PhD student at University of Chicago, regarding a possible interview in the periodical Mahfil. Type The nature or genre of the resource Text Relation A related resource IsRelatedTo NMRArch-2-05-044-mahfil-cover-inside, IsRelatedTo NMRArch-2-05-045-mahfil-interview-corr Creator An entity primarily responsible for making the resource Rashed, N. M. Rights Information about rights held in and over the resource The materials from our collections are made available for use in research, teaching, and private study, pursuant to Canadian copyright law. The user must assume full responsibility for any use of materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source. Our provision of reproductions does not constitute permission to publish or reproduce images in print or electronic form. Date A point or period of time associated with an event in the lifecycle of the resource 1966-04-11 Format The file format, physical medium, or dimensions of the resource Typewritten Identifier An unambiguous reference to the resource within a given context NMRArch-02-05-014-letter-nmr-coppola Language A language of the resource English Asia Society Association of Asian Studies C. M. Naim Carlo Coppola Geneva interview La = insan letter Mahfil Journal of South Asian Literature New York Oakland University Pakistan Progressive Writers Association typewritten United Nations University of Chicago https://nmrashedarchive.com/files/original/6b88a480a2fdc7cd76620222616aea16.jpg 6607db9f9a041ff7088254cc6bb36e05 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. No. of Files The number of files making up the digital item. 2 No. of Pages The number of pages in an item. 2 No. of Sheets The number of sheets in an item. 2 Physical Dimensions The actual physical size of the original image 8.5 x 11 Box The box in which the physical item is located. 2 Folder No. The number of the folder in which the physical item is located. 21 Folder Name The name of the physical folder in which the item is located. Documents not donated by Yasmin Hassan Item No. A unique number for an item within a folder. 1 Recipient The recipient of a letter or other item. Coppola, Carlo Digitizer Name of the person who scanned or re-scanned the item. Pasha M. Khan Cataloger Name of the person who cataloged the item. Pasha M. Khan Donor Name of the person who donated the item. Carlo Coppola Year of Donation The year in which the item was donated. 2018 Repository Name of the institution in which the physical item resides Institute of Islamic Studies Summary Rashed, N.M. Letter from N. M. Rashed to Carlo Coppola. To Coppola, Carlo. Sep. 18, 1971. 2 pp. 2 sheets. 8.5 x 11. Typewritten. Letter sent by N. M. Rashed to Carlo Coppola regarding the issue of the journal Mahfil on Rashed, which Coppola has sent to Rashed. Rashed lauds the issue and points out some deviations in the translated poems published therein. English. Box 2. Folder 21: Documents not donated by Yasmin Hassan. 001. Digitized by Pasha M. Khan. Catalogued by Pasha M. Khan. Donated (2018) by Carlo Coppola to the Institute of Islamic Studies. URL https://archive.org/details/NMRArch-02-21-001-letter-from-rashed-to-coppola Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter from N. M. Rashed to Carlo Coppola Description An account of the resource Letter sent by N. M. Rashed to Carlo Coppola regarding the issue of the journal Mahfil on Rashed, which Coppola has sent to Rashed. Rashed lauds the issue and points out some deviations in the translated poems published therein. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Rashed, N.M. Rights Information about rights held in and over the resource The materials from our collections are made available for use in research, teaching, and private study, pursuant to Canadian copyright law. The user must assume full responsibility for any use of materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source. Our provision of reproductions does not constitute permission to publish or reproduce images in print or electronic form. Date A point or period of time associated with an event in the lifecycle of the resource 1971-09-18 Format The file format, physical medium, or dimensions of the resource Typewritten Identifier An unambiguous reference to the resource within a given context NMRArch-02-21-001-letter-from-rashed-to-coppola Language A language of the resource English Afzal Iqbal Agha Abdul Hamid Akhtarul Iman Aslam Malik Faiz Ahmad Faiz Faruq Hassan Israfil ki maut Izhar aur rasa'i Mahfil Journal of South Asian Literature Mahmud Shafqat Munibur Rahman Shi`r o hikmat translation typewritten United Nations University of Chicago Victor Kiernan https://nmrashedarchive.com/files/original/d4e38d2620132b77531e0b6e6b5b1ff2.jpg 7550ad48e560fb525377a291f1b257eb Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. No. of Files The number of files making up the digital item. 5 No. of Pages The number of pages in an item. 5 No. of Sheets The number of sheets in an item. 5 Physical Dimensions The actual physical size of the original image 7.5 x 10 Box The box in which the physical item is located. 1 Folder No. The number of the folder in which the physical item is located. 17 Folder Name The name of the physical folder in which the item is located. Sheila interviews and book donations Item No. A unique number for an item within a folder. 1 Recipient The recipient of a letter or other item. Noori, Mohammad Fakhrul Haq Digitizer Name of the person who scanned or re-scanned the item. Zain Mian Cataloger Name of the person who cataloged the item. Alainah Aamir Donor Name of the person who donated the item. Yasmin Rashed Hassan Year of Donation The year in which the item was donated. 2015 Repository Name of the institution in which the physical item resides Institute of Islamic Studies Summary Rashed, Shahryar. Letter from Shahryar Rashed. To Noori, Mohammad Fakhrul Haq. Aug. 6, 1993. 5 pp. 5 sheets. 7.5 x 10. Handwritten. Letter from Shahryar Rashed sent to Mr. Mohammad Fakhrul Haq Noori, Shohba-e-Urdu at Oriental College, Punjab University, Lahore. He addresses him as "Prof. Noori." He confirms that he received Prof Noori's letter dated 16 July 1993 about his work on the "Noon Meem Project" and Shahryar expresses his apologies about not being able to assist him in any way. He explains that part of the reason why he has been unable to help is because his job has him moving from place to place, so even now the materials that could have been helpful are stored away in Holland. He elaborates that his association with his father was limited to his youth, and even then he can only provide something to the effect of reminescences. Most of these reminisces can be found in Dr. Aftab Ahmad's book "Noon Meem Rashed: Fann aur shakhsiyyat." Shahryar also encloses a copy of M.A.R. Habib's publication "The Dissident Voice: Poems of N.M. Rashed." He then names several people he believes will be better equipped to help Prof. Noori, including Mr. Ijaz Batalvi, bar-at-law, Justice Ataullah Sajad, Justice Yaqub Ali Khan, Mrs. Sheila Angelini Rashed, Munir Niazi, Ahmed Faraz, and Zia Mohyeddin. He writes that the most important respect of Rashed's relationship to his children were his sense of responsibility. He tried his best to keep the family together after the children's mother, his first wife, passed away. He recalls how Rashed encouraged his children to be independent-minded, so when Shahryar visited Tehran in 1972 and wanted to explore by himself, Rashed made all the arrangements for him to safely get around himself. For Shahryar's sisters, he encouraged them to get good jobs and education before they got married. Rashed's first wife passed away in 1960 after which he married Sheila, Tamzin's teacher, in 1964. Rashed had a very affectionate relationship with his youngest son Nazeil, but Shahryar writes that he opted out of the family early so he was not able to benefit from Rashed's advice. He writes that Rashed was secretly proud of his son's decisions. He writes that he was prone to losing his temper if someone was behaving irrationally, and although he never showed affection, his children knew he loved them. When Shahryar showed him some poems in high school, he remarked that there were a few good lines but they were bad poems in all, so he was always very straightforward. He encouraged his children to spend money wisely, but never liked to impose on anyone, and on visits to Pakistan would opt for staying at hotels rather than in a relative's home. He was very fond of chess, and spent many hours playing the game with his own father. Shahryar recalls that when her mother passed away from a thrombosis which occured from a wrongly administered intramuscular injection, Rashed was playing chess. He was a fair person who believed "life must be taken by the horns." He also liked to make jokes and play little pranks. While he disciplined his children moderately, with his own discipline he was "ruthless", as Shahryar remembers it. He was an incise and keen thinker, who was innately curious about the world around him, which made him an enthusiastic learner. Shahryar describes him as "non-ideological" particularly after his disappointment with the Khaksar Movement. Shahryar wonders whether his war-time travels as a Captain in the British Imperial Army sparked his belief in the futility of ideological confrontation. He describes Rashed as a universalist. He concludes by recalling how Rashed always made time for his children no matter how busy he was, and apologises again that he did not have any more documents to share. English. Box 1. Folder 17: Sheila interviews and book donations. 001. Digitized by Zain Mian. Catalogued by Alainah Aamir. Donated (2015) by Yasmin Rashed Hassan to the Institute of Islamic Studies. URL https://archive.org/details/NMRArch-01-17-001-letter-from-shahryar-rashed Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter from Shahryar Rashed Subject The topic of the resource Rāshid, N. M., -- 1910-1975 Description An account of the resource Letter from Shahryar Rashed sent to Mr. Mohammad Fakhrul Haq Noori, Shohba-e-Urdu at Oriental College, Punjab University, Lahore. He addresses him as "Prof. Noori." He confirms that he received Prof Noori's letter dated 16 July 1993 about his work on the "Noon Meem Project" and Shahryar expresses his apologies about not being able to assist him in any way. He explains that part of the reason why he has been unable to help is because his job has him moving from place to place, so even now the materials that could have been helpful are stored away in Holland. He elaborates that his association with his father was limited to his youth, and even then he can only provide something to the effect of reminescences. Most of these reminisces can be found in Dr. Aftab Ahmad's book "Noon Meem Rashed: Fann aur shakhsiyyat." Shahryar also encloses a copy of M.A.R. Habib's publication "The Dissident Voice: Poems of N.M. Rashed." He then names several people he believes will be better equipped to help Prof. Noori, including Mr. Ijaz Batalvi, bar-at-law, Justice Ataullah Sajad, Justice Yaqub Ali Khan, Mrs. Sheila Angelini Rashed, Munir Niazi, Ahmed Faraz, and Zia Mohyeddin. He writes that the most important respect of Rashed's relationship to his children were his sense of responsibility. He tried his best to keep the family together after the children's mother, his first wife, passed away. He recalls how Rashed encouraged his children to be independent-minded, so when Shahryar visited Tehran in 1972 and wanted to explore by himself, Rashed made all the arrangements for him to safely get around himself. For Shahryar's sisters, he encouraged them to get good jobs and education before they got married. Rashed's first wife passed away in 1960 after which he married Sheila, Tamzin's teacher, in 1964. Rashed had a very affectionate relationship with his youngest son Nazeil, but Shahryar writes that he opted out of the family early so he was not able to benefit from Rashed's advice. He writes that Rashed was secretly proud of his son's decisions. He writes that he was prone to losing his temper if someone was behaving irrationally, and although he never showed affection, his children knew he loved them. When Shahryar showed him some poems in high school, he remarked that there were a few good lines but they were bad poems in all, so he was always very straightforward. He encouraged his children to spend money wisely, but never liked to impose on anyone, and on visits to Pakistan would opt for staying at hotels rather than in a relative's home. He was very fond of chess, and spent many hours playing the game with his own father. Shahryar recalls that when her mother passed away from a thrombosis which occured from a wrongly administered intramuscular injection, Rashed was playing chess. He was a fair person who believed "life must be taken by the horns." He also liked to make jokes and play little pranks. While he disciplined his children moderately, with his own discipline he was "ruthless", as Shahryar remembers it. He was an incise and keen thinker, who was innately curious about the world around him, which made him an enthusiastic learner. Shahryar describes him as "non-ideological" particularly after his disappointment with the Khaksar Movement. Shahryar wonders whether his war-time travels as a Captain in the British Imperial Army sparked his belief in the futility of ideological confrontation. He describes Rashed as a universalist. He concludes by recalling how Rashed always made time for his children no matter how busy he was, and apologises again that he did not have any more documents to share. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Rashed, Shahryar Rights Information about rights held in and over the resource The materials from our collections are made available for use in research, teaching, and private study, pursuant to Canadian copyright law. The user must assume full responsibility for any use of materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source. Our provision of reproductions does not constitute permission to publish or reproduce images in print or electronic form. Date A point or period of time associated with an event in the lifecycle of the resource 1993-08-06 Format The file format, physical medium, or dimensions of the resource Handwritten Identifier An unambiguous reference to the resource within a given context NMRArch-01-17-001-letter-from-shahryar-rashed Language A language of the resource English Aftab Ahmad Ahmed Faraz Ataullah Sajjad Ghulam Abbas Ijaz Hussain Batalvi Iran Israfil ki maut Khaksars M. A. R. Habib Mohammad Fakhrul Haq Noori Munir Niazi Nazeil Rashed Netherlands Nun Mim Rashid: Fann aur shakhsiyyat politics Raja F. M. Majid Raja Fazl-i Elahi Chishti Safia Rashed Shahryar Rashed Sheila Angelini Rashed Tehran United Nations World War II writing process Zia Mohyeddin https://nmrashedarchive.com/files/original/715679d477547cf01ede774a9aee6de3.jpg 5b22cdb6680300f71dfe54d8a9e80653 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. No. of Files The number of files making up the digital item. 2 No. of Pages The number of pages in an item. 2 No. of Sheets The number of sheets in an item. 1 Physical Dimensions The actual physical size of the original image 4.6 x 7.3" Box The box in which the physical item is located. 2 Folder No. The number of the folder in which the physical item is located. 8 Folder Name The name of the physical folder in which the item is located. Letters of publishers and writers Item No. A unique number for an item within a folder. 44 Recipient The recipient of a letter or other item. Rashed, N. M. Digitizer Name of the person who scanned or re-scanned the item. Zahra Sabri Cataloger Name of the person who cataloged the item. Zain Mian Donor Name of the person who donated the item. Yasmin Rashed Hassan Year of Donation The year in which the item was donated. 2015 Repository Name of the institution in which the physical item resides Institute of Islamic Studies, McGill University, Montreal Summary Faruqi, Shamsur Rahman. Letter from Shamsur Rahman Faruqi. To Rashed, N. M. May. 22, 1968. 2 pp. 1 sheet. 4.6 x 7.3". Black pen on card. Letter from Shamsur Rahman Faruqi to N. M. Rashed introducing himself and soliciting poetry for his literary periodical Shabkhoon. A crease in the center and identical marks at the top and bottom suggest this card was stapled shut for delivery. Urdu. Box 2. Folder 8: Letters of publishers and writers. 044. Digitized by Zahra Sabri. Catalogued by Zain Mian. Donated (2015) by Yasmin Rashed Hassan to the Institute of Islamic Studies, McGill University, Montreal. Article Beginning in 1968, Rashed kept up a correspondence with Shamsur Rahman Faruqi (1935-). Today Faruqi is one of the most renowned critics of Urdu literature in the world, and the author of many works of criticism and literature such as the recent novel <a href="http://www.riazshahid.com/2013/05/13/%DA%A9%D8%A6%DB%8C-%DA%86%D8%A7%D9%86%D8%AF-%D8%AA%DA%BE%DB%92-%D8%B3%D8%B1-%D8%A2%D8%B3%D9%85%D8%A7%DA%BA/">Ka’ī chānd the sar-i āsmān</a>. ;See the 2014 interview with Faruqi, "<a href="http://www.openthemagazine.com/article/books/the-last-ustad">The Last Ustad</a>." Faruqi had begun publishing his literary journal Shabkhoon (1966-2006) two years prior to the beginning of his correspondence with Rashed. At this time Rashed was in Tehran, working as Director of the UN Information Centre. A summary of the letter: <blockquote>From: Shamsur Rahman Faruqi, 23-D Thornhill Road, Allahabad -1, India. Written 05/22/1968. To: N. M. Rashed (Tehran, Iran). Received 06/19/1968. Faruqi begs pardon for contacting Rashed without any prior acquaintance. He has gotten Rashed's Tehran address from his friend Azizuddun Shakeel. Shakeel has sent Rashed a few copies of Faruqi's literary journal Shabkhoon and Faruqi hopes that Rashed will contribute something to it. Faruqi writes that Rashed has had a great influence on the new generation of poets, along with Faiz, so much so that the Progressives (taraqqī-pasand) are bent on proving that Rashed and Faiz are two of their own number. Ali Sardar Jafri has warmed to Faiz despite previously having qualms about him. Iftikhar Jalib's book Na’ī shā‘irī is filled with mentions of Rashed, and Jafri considers it a point of pride that he has published Rashed's poetry. Faruqi repeats his request that Rashed should contribute his poetry to ;Shabkhoon. He is sending 4 ;issues of Shabkhoon to Rashed via air mail, and will continue sending future issues.</blockquote>The Urdu poet and critic Iftikhar Jalib had published his collection of "new" Urdu poems <a href="http://www.worldcat.org/oclc/19878504">Na’ī shā‘irī: Ek tanqīdī mut̤āli‘ah</a> ;two years previously in 1966.<a href="#fn1">[1]</a>According to Sean Pue, Rashed later sent Faruqi a copy of his poem "Ai samandar," which Faruqi published in the September 1969 issue of Shabkhoon.<a href="#fn2">[2]</a> <div><a href="#fref1">1</a> Jālib, Iftikhār. "Lisānī tashkīlāt" in Na’ī shā‘irī: Ek tanqīdī mut̤āli‘ah. Ed. Iftikhār Jālib. Lahore: Na’ī mat̤bū‘āt, 1966. pp. 247-274. For other references to Rashed in the same volume, see Safdar Mir's contribution "Bayābān-i junūn", pp. 5-22; and Fateh Muhammad Malik's essay "Na’ī shā‘irī aur jadīd shā‘irī", pp. 107-124. <a href="#fref2">2</a> Shabkhūn no. 40 (Sept. 1969): pp. 3-4.</div> Article Author Pasha M. Khan Article Timestamp 2015-07-24 Article Citation Khan, Pasha M. "Letter from Shamsur Rahman Faruqi." Noon Meem Rashed Archive, Jul 24, 2015. URL https://archive.org/details/LetterFromShamsurRahmanFaruqi Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter from Shamsur Rahman Faruqi Subject The topic of the resource Rāshid, N. M., -- 1910-1975 Description An account of the resource Letter from Shamsur Rahman Faruqi to N. M. Rashed introducing himself and soliciting poetry for his literary periodical Shabkhoon. A crease in the center and identical marks at the top and bottom suggest this card was stapled shut for delivery. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Faruqi, Shamsur Rahman Rights Information about rights held in and over the resource The materials from our collections are made available for use in research, teaching, and private study, pursuant to Canadian copyright law. The user must assume full responsibility for any use of materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source. Our provision of reproductions does not constitute permission to publish or reproduce images in print or electronic form. Date A point or period of time associated with an event in the lifecycle of the resource 1968-05-22 Format The file format, physical medium, or dimensions of the resource Black pen on card Identifier An unambiguous reference to the resource within a given context NMRArch-02-08-044-letter-srf-nmr Language A language of the resource Urdu Ai samandar Ali Sardar Jafri Allahabad Faiz Ahmad Faiz handwritten Iftikhar Jalib letter Mohammad Safdar Mir Progressive Writers Association reception Shabkhoon Shamsur Rahman Faruqi Tehran https://nmrashedarchive.com/files/original/f2235bec36e47fe4845f5f21e06ce9f8.jpg a6722192467fe6994a727e7a61169f63 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. No. of Files The number of files making up the digital item. 1 No. of Pages The number of pages in an item. 5 No. of Sheets The number of sheets in an item. 5 Physical Dimensions The actual physical size of the original image 7.5 X 10 Box The box in which the physical item is located. 1 Folder No. The number of the folder in which the physical item is located. 17 Folder Name The name of the physical folder in which the item is located. Sheila interviews and book donations Item No. A unique number for an item within a folder. 31 Recipient The recipient of a letter or other item. Shahid, Hosain Digitizer Name of the person who scanned or re-scanned the item. Zain Mian Cataloger Name of the person who cataloged the item. Alainah Aamir Donor Name of the person who donated the item. Yasmin Rashed Hassan Year of Donation The year in which the item was donated. 2015 Repository Name of the institution in which the physical item resides Institute of Islamic Studies Summary Rashed, Sheila. Letter from Sheila Rashed to Hosain Shahid. To Shahid, Hosain. Sep. 3, 1976. 5 pp. 5 sheets. 7.5 X 10. Typewritten. Letter sent from Mrs. Sheila Rashed to Hosain Shahid, in which she thanks him for his letter of 18th August. The letter is dated 3rd September 1976. She received his letter earlier but thought it best to reply after she and Nazeil returned from a holiday, as she would be able to give it more time and attention. She writes that she is appreciative of the efforts Shahid is making to ensure her husband's work and memory remains fresh in the nation's minds. She is finding it more difficult to write about Rashed now than before when Mr. Shahid came to visit her in Cheltenham, as the fact that Rashed had passed away had not fully struck her yet. She describes her first encounter with Rashed taking place during a meeting they had about his daughter Tamzin. She spoke for ten minutes about how Tamzin was struggling because of her poor English, as well as how she appeared very unhappy. Rashed listened attentively after which he informed her that Tamzin had been in shock after she witnessed her mother's passing before her eyes. Rashed described feeling great anxiety about keeping the family together, as he was a widower taking care of her four young children. Together they started to brainstorm ways they could help Tamzin improve in school. She adds in pen that discussing techniques for his daughter was the beginning of a great friendship between them. She was thirty-three when she first met Rashed. She had been engaged twice before but broken it off as she did not feel that it was a right match. She wrote that she believed he was attracted to her and wanted to spend as much time with her as possible. For one of their first dates he asked her to come to a lecture he was giving at the Asia Society in New York, after which he asked her to be as critical as possible about the lecture. From November till December they saw each other three or four times a week along with spending time with the children. At the airport before Christmas break he asked her to marry him, and told her that the friendship could not continue if she said no, which she recalls was a tough ultimatum to be given. She had a lot to consider, as he had five children, was from another part of the world, and was eighteen years older than him. She returned to New York in January with her mind made up and they were married in September in England to be close to Sheila's parents. Times were hard, she admits, but the reconciliations made it worth it. They were both strong and independent, and they never hid anything from one another. She recognises his honesty and truthfulness as some of his most outstanding characteristics. He was always forgiving of the weaknesses in others. He strongly believed in the equality of all, no matter how high or low their position. She writes that she always knew when her husband was "hatching a poem" as he was moody for days during the process, but became very happy like a "new man" once he has birthed the poem. He was not what one would call a practicing Muslim, but he was deeply religious in the true sense of the word. He never demanded that Sheila become Pakistani or Muslim. He disliked any kind of totalitarianism or dictatorship. After Rashed's retirement from the UN in 1974, they had the option of living in Pakistan, Italy, or England, but they decided on England for Nazeil as the education was the greatest quality there, they felt. He liked the regency style house and the study where he was surrounded by his books and could write looking out into lush greenery. He was very happy during his retirement, composing poems often, even one day before he died. She writes that he died suddenly without pain, for which she thanks God. She writes that Nazeil, who Rashed called his "masterpiece", was only eleven when his father passed away, but always remembers him fondly. English. Box 1. Folder 17: Sheila interviews and book donations. 031. Digitized by Zain Mian. Catalogued by Alainah Aamir. Donated (2015) by Yasmin Rashed Hassan to the Institute of Islamic Studies. URL https://archive.org/details/NMRArch-01-17-031-letter-from-sheila-rashed-to-hosain-shahid Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter from Sheila Rashed to Hosain Shahid Subject The topic of the resource Rāshid, N. M., -- 1910-1975 Description An account of the resource Letter sent from Mrs. Sheila Rashed to Hosain Shahid, in which she thanks him for his letter of 18th August. The letter is dated 3rd September 1976. She received his letter earlier but thought it best to reply after she and Nazeil returned from a holiday, as she would be able to give it more time and attention. She writes that she is appreciative of the efforts Shahid is making to ensure her husband's work and memory remains fresh in the nation's minds. She is finding it more difficult to write about Rashed now than before when Mr. Shahid came to visit her in Cheltenham, as the fact that Rashed had passed away had not fully struck her yet. She describes her first encounter with Rashed taking place during a meeting they had about his daughter Tamzin. She spoke for ten minutes about how Tamzin was struggling because of her poor English, as well as how she appeared very unhappy. Rashed listened attentively after which he informed her that Tamzin had been in shock after she witnessed her mother's passing before her eyes. Rashed described feeling great anxiety about keeping the family together, as he was a widower taking care of her four young children. Together they started to brainstorm ways they could help Tamzin improve in school. She adds in pen that discussing techniques for his daughter was the beginning of a great friendship between them. She was thirty-three when she first met Rashed. She had been engaged twice before but broken it off as she did not feel that it was a right match. She wrote that she believed he was attracted to her and wanted to spend as much time with her as possible. For one of their first dates he asked her to come to a lecture he was giving at the Asia Society in New York, after which he asked her to be as critical as possible about the lecture. From November till December they saw each other three or four times a week along with spending time with the children. At the airport before Christmas break he asked her to marry him, and told her that the friendship could not continue if she said no, which she recalls was a tough ultimatum to be given. She had a lot to consider, as he had five children, was from another part of the world, and was eighteen years older than him. She returned to New York in January with her mind made up and they were married in September in England to be close to Sheila's parents. Times were hard, she admits, but the reconciliations made it worth it. They were both strong and independent, and they never hid anything from one another. She recognises his honesty and truthfulness as some of his most outstanding characteristics. He was always forgiving of the weaknesses in others. He strongly believed in the equality of all, no matter how high or low their position. She writes that she always knew when her husband was "hatching a poem" as he was moody for days during the process, but became very happy like a "new man" once he has birthed the poem. He was not what one would call a practicing Muslim, but he was deeply religious in the true sense of the word. He never demanded that Sheila become Pakistani or Muslim. He disliked any kind of totalitarianism or dictatorship. After Rashed's retirement from the UN in 1974, they had the option of living in Pakistan, Italy, or England, but they decided on England for Nazeil as the education was the greatest quality there, they felt. He liked the regency style house and the study where he was surrounded by his books and could write looking out into lush greenery. He was very happy during his retirement, composing poems often, even one day before he died. She writes that he died suddenly without pain, for which she thanks God. She writes that Nazeil, who Rashed called his "masterpiece", was only eleven when his father passed away, but always remembers him fondly. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Rashed, Sheila Rights Information about rights held in and over the resource The materials from our collections are made available for use in research, teaching, and private study, pursuant to Canadian copyright law. The user must assume full responsibility for any use of materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source. Our provision of reproductions does not constitute permission to publish or reproduce images in print or electronic form. Date A point or period of time associated with an event in the lifecycle of the resource 1976-09-03 Format The file format, physical medium, or dimensions of the resource Typewritten Identifier An unambiguous reference to the resource within a given context NMRArch-01-17-031-letter-from-sheila-rashed-to-hosain-shahid Language A language of the resource English Asia Society Cheltenham England Hosain Shahid London marriage Nazeil Rashed New York politics Rashed's death religion romantic relations Shahryar Rashed Tamzin Rashed typewritten United Nations writing process https://nmrashedarchive.com/files/original/f6bc2a39661cce72460efb4094697c9f.jpg 48595a08da34273d5bbb95388b5994f1 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. No. of Files The number of files making up the digital item. 1 No. of Pages The number of pages in an item. 1 No. of Sheets The number of sheets in an item. 1 Physical Dimensions The actual physical size of the original image 7.4 x 10.2" Box The box in which the physical item is located. 1 Folder No. The number of the folder in which the physical item is located. 17 Folder Name The name of the physical folder in which the item is located. Materials from Sheila Item No. A unique number for an item within a folder. 30 Recipient The recipient of a letter or other item. Rashed, Sheila Digitizer Name of the person who scanned or re-scanned the item. Zahra Sabri Cataloger Name of the person who cataloged the item. Zain Mian Donor Name of the person who donated the item. Yasmin Rashed Hassan Year of Donation The year in which the item was donated. 2015 Repository Name of the institution in which the physical item resides Institute of Islamic Studies, McGill University, Montreal Summary Sibte Hasan. Letter from Sibte Hasan. To Rashed, Sheila. Oct. 22, 1975. 1 p. 1 sheet. 7.4 x 10.2". Typewritten. Letter from Sibte Hasan to Sheila Rashed. On Pakistani Adab letterhead. English. Box 1. Folder 17: Materials from Sheila. 030. Digitized by Zahra Sabri. Catalogued by Zain Mian. Donated (2015) by Yasmin Rashed Hassan to the Institute of Islamic Studies, McGill University, Montreal. URL https://archive.org/details/LetterFromSibteHasan Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter from Sibte Hasan Description An account of the resource Letter from Sibte Hasan to Sheila Rashed. On Pakistani Adab letterhead. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Sibte Hasan Rights Information about rights held in and over the resource The materials from our collections are made available for use in research, teaching, and private study, pursuant to Canadian copyright law. The user must assume full responsibility for any use of materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source. Our provision of reproductions does not constitute permission to publish or reproduce images in print or electronic form. Date A point or period of time associated with an event in the lifecycle of the resource 1975-10-22 Format The file format, physical medium, or dimensions of the resource Typewritten Identifier An unambiguous reference to the resource within a given context NMRArch-01-17-030-sibte-hasan-sheila-rashed Language A language of the resource English https://nmrashedarchive.com/files/original/c4642a7c839966faa3eda7e81986a993.jpg 7b9cb6f4d471216c79d4c0cd8a8424a9 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. No. of Files The number of files making up the digital item. 2 No. of Pages The number of pages in an item. 2 No. of Sheets The number of sheets in an item. 1 Physical Dimensions The actual physical size of the original image 6.7 x 8.5" Box The box in which the physical item is located. 2 Folder No. The number of the folder in which the physical item is located. 3 Folder Name The name of the physical folder in which the item is located. Correspondence Item No. A unique number for an item within a folder. 13 Recipient The recipient of a letter or other item. Rashed, N. M. Digitizer Name of the person who scanned or re-scanned the item. Zahra Sabri Cataloger Name of the person who cataloged the item. Zain Mian Donor Name of the person who donated the item. Yasmin Rashed Hassan Year of Donation The year in which the item was donated. 2015 Repository Name of the institution in which the physical item resides Institute of Islamic Studies, McGill University, Montreal Summary Sibte Hasan. Letter from Sibte Hasan. To N. M. Rashed. Apr. 9, 1975. 2 pp. 1 sheet. 6.7 x 8.5". Handwritten. Letter from Sibte Hasan to N. M. Rashed. Written on Pakistani Adab letterhead. Urdu. Box 2. Folder 3: Correspondence. 013. Digitized by Zahra Sabri. Catalogued by Zain Mian. Donated (2015) by Yasmin Rashed Hassan to the Institute of Islamic Studies, McGill University, Montreal. URL https://archive.org/details/LetterFromSibteHasan_201601 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter from Sibte Hasan Description An account of the resource Letter from Sibte Hasan to N. M. Rashed. Written on Pakistani Adab letterhead. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Sibte Hasan Rights Information about rights held in and over the resource The materials from our collections are made available for use in research, teaching, and private study, pursuant to Canadian copyright law. The user must assume full responsibility for any use of materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source. Our provision of reproductions does not constitute permission to publish or reproduce images in print or electronic form. Date A point or period of time associated with an event in the lifecycle of the resource 1975-04-09 Format The file format, physical medium, or dimensions of the resource Handwritten Identifier An unambiguous reference to the resource within a given context NMRArch-02-03-013-sibte-nmr-letter Language A language of the resource Urdu https://nmrashedarchive.com/files/original/16526c48a194fb846bf5ce70a5fd4474.jpg f62cb8fb3a01f9263c2675cbaecdd096 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. No. of Files The number of files making up the digital item. 2 No. of Pages The number of pages in an item. 2 No. of Sheets The number of sheets in an item. 1 Physical Dimensions The actual physical size of the original image 7.5 x 10 Box The box in which the physical item is located. 1 Folder No. The number of the folder in which the physical item is located. 17 Folder Name The name of the physical folder in which the item is located. Materials from Sheila Item No. A unique number for an item within a folder. 52 Recipient The recipient of a letter or other item. Rashed, Sheila Digitizer Name of the person who scanned or re-scanned the item. Zain Mian Cataloger Name of the person who cataloged the item. Alainah Aamir Donor Name of the person who donated the item. Yasmin Rashed Hassan Year of Donation The year in which the item was donated. 2015 Repository Name of the institution in which the physical item resides Institute of Islamic Studies Summary Mohyeddin, Zia. Letter from Zia Mohyeddin. To Rashed, Sheila. Oct. 17, 1975. 2 pp. 1 sheet. 7.5 x 10. Handwritten. Handwritten letter written by Zia Mohyeddin on the 17th of October. The letter is written in blue ink on PIA stationery. It bears the PIA logo at the top of the page. Underneath the logo it reads "Head Office, Karachi Airport." At the top-right of the page, above where the date is written, it reads "24 Bahadarabad Karachi" in blue ink. He writes that he heard news upon returning from a short trip that his "dear friend, mentor, guide, and philosopher is no more." He describes feeling shattered, and that he cannot imagine an intelligent world without him. Zia writes that Rashed had asked him in his last letter to record some of his work on television, which Zia writes that he will do with dedication. He writes that it will be his "tribute to one of the most outstanding poets of the century." He writes that he also plans to write on him, but not just yet. He writes that writing about Rashed right now would make him "too overwrought." He writes, "Words fail me. Rashed was so much more than a poet. He was one of the few thinking men Pakistan provided. Culturally he had been 'produced' before Pakistan but this country should be proud to have given him to the world." He concludes by saying, "I pray, though I am not a praying man, that you and Nazeil have the courage to bear" their loss. English. Box 1. Folder 17: Materials from Sheila. 052. Digitized by Zain Mian. Catalogued by Alainah Aamir. Donated (2015) by Yasmin Rashed Hassan to the Institute of Islamic Studies. URL https://archive.org/details/NMRArch-01-17-054-letter-from-zia-mohyeddin Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Letter from Zia Mohyeddin Description An account of the resource Handwritten letter written by Zia Mohyeddin on the 17th of October. The letter is written in blue ink on PIA stationery. It bears the PIA logo at the top of the page. Underneath the logo it reads "Head Office, Karachi Airport." At the top-right of the page, above where the date is written, it reads "24 Bahadarabad Karachi" in blue ink. He writes that he heard news upon returning from a short trip that his "dear friend, mentor, guide, and philosopher is no more." He describes feeling shattered, and that he cannot imagine an intelligent world without him. Zia writes that Rashed had asked him in his last letter to record some of his work on television, which Zia writes that he will do with dedication. He writes that it will be his "tribute to one of the most outstanding poets of the century." He writes that he also plans to write on him, but not just yet. He writes that writing about Rashed right now would make him "too overwrought." He writes, "Words fail me. Rashed was so much more than a poet. He was one of the few thinking men Pakistan provided. Culturally he had been 'produced' before Pakistan but this country should be proud to have given him to the world." He concludes by saying, "I pray, though I am not a praying man, that you and Nazeil have the courage to bear" their loss. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Mohyeddin, Zia Date A point or period of time associated with an event in the lifecycle of the resource 1975-10-17 Format The file format, physical medium, or dimensions of the resource Handwritten Identifier An unambiguous reference to the resource within a given context NMRArch-01-17-054-letter-from-zia-mohyeddin Language A language of the resource English https://nmrashedarchive.com/files/original/8bb3acbba23f2f8783e44e4311737ede.jpg 05359983eab8af22f798fffc5ab8712d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Persian poem drafts (copy 1) Description An account of the resource Drafts of Persian poems by various Iranian poets, intended by N. M. Rashed to be included in the collection entitled Jadīd Fārsī shā‘irī. Creator An entity primarily responsible for making the resource Rashed, N. M. Format The file format, physical medium, or dimensions of the resource Typewritten Subject The topic of the resource Rāshid, N. M., -- 1910-1975 Rights Information about rights held in and over the resource The materials from our collections are made available for use in research, teaching, and private study, pursuant to Canadian copyright law. The user must assume full responsibility for any use of materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source. Our provision of reproductions does not constitute permission to publish or reproduce images in print or electronic form. Language A language of the resource Persian Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context NMRArch-01-04-101-jadid-farsi-shairi-v1 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. No. of Files The number of files making up the digital item. 6 No. of Pages The number of pages in an item. 6 No. of Sheets The number of sheets in an item. 6 Physical Dimensions The actual physical size of the original image 8.5 x 11" Box The box in which the physical item is located. 1 Folder No. The number of the folder in which the physical item is located. 4 Folder Name The name of the physical folder in which the item is located. Jadid Farsi sha'iri poems 1 Item No. A unique number for an item within a folder. 63 Digitizer Name of the person who scanned or re-scanned the item. Zain Mian Cataloger Name of the person who cataloged the item. Nadia Javaheri-Cabrera Donor Name of the person who donated the item. Yasmin Rashed Hassan Year of Donation The year in which the item was donated. 2015 Repository Name of the institution in which the physical item resides Institute of Islamic Studies Summary Azad Tehrani, Mahmoud Mosharraf. Mahmoud Mosharraf Azad Tehrani (Mīm Azad), Persian poems, draft. 6 pp. 6 sheets. 8.5 x 11". Typewritten. Draft of Persian poems by Mahmoud Mosharraf Azad Tehrani (Mīm Azad), compiled by N. M. Rashed. Includes Āīnah-hā tahī-st, Man bīm dāshtam, Chihrah-hā. Contains a few repeated words or verses, presumably typing errors, typed over with a sequence of the Arabic character ة or crossed out in red ink. Ā'īnah-hā tahī-st: Contains a few repeated words, presumably typing errors, typed over with a sequence of the Arabic character ة. Man bīm dāshtam: Contains a few words, presumably a typing error, typed over with a sequence of the Arabic character ة. Chihrah-hā: The last verse of the second page of the poem is crossed out in red ink. Persian. Box 1. Folder 4: Jadid Farsi sha'iri poems 1. 063. Digitized by Zain Mian. Catalogued by Nadia Javaheri-Cabrera. Donated (2015) by Yasmin Rashed Hassan to the Institute of Islamic Studies. URL https://archive.org/details/NMRArch-01-04-063-azad-tehrani-poems-draft Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mahmoud Mosharraf Azad Tehrani (Mīm Azad), Persian poems, draft Subject The topic of the resource Rāshid, N. M., -- 1910-1975 Description An account of the resource Draft of Persian poems by Mahmoud Mosharraf Azad Tehrani (Mīm Azad), compiled by N. M. Rashed. Includes Āīnah-hā tahī-st, Man bīm dāshtam, Chihrah-hā. Contains a few repeated words or verses, presumably typing errors, typed over with a sequence of the Arabic character ة or crossed out in red ink. Ā'īnah-hā tahī-st: Contains a few repeated words, presumably typing errors, typed over with a sequence of the Arabic character ة. Man bīm dāshtam: Contains a few words, presumably a typing error, typed over with a sequence of the Arabic character ة. Chihrah-hā: The last verse of the second page of the poem is crossed out in red ink. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Azad Tehrani, Mahmoud Mosharraf Rights Information about rights held in and over the resource The materials from our collections are made available for use in research, teaching, and private study, pursuant to Canadian copyright law. The user must assume full responsibility for any use of materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source. Our provision of reproductions does not constitute permission to publish or reproduce images in print or electronic form. Format The file format, physical medium, or dimensions of the resource Typewritten Identifier An unambiguous reference to the resource within a given context NMRArch-01-04-063-azad-tehrani-poems-draft Language A language of the resource Persian Iran Iran men ajnabi Iranian literature Mahmoud Mosharraf Azad Tehrani Persian literature translation typewritten https://nmrashedarchive.com/files/original/5ed522e0def1c1bd8fab05843336bbfb.jpg ee2891ea84f2aa44d038401cb4759787 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Persian poem drafts (copy 1) Description An account of the resource Drafts of Persian poems by various Iranian poets, intended by N. M. Rashed to be included in the collection entitled Jadīd Fārsī shā‘irī. Creator An entity primarily responsible for making the resource Rashed, N. M. Format The file format, physical medium, or dimensions of the resource Typewritten Subject The topic of the resource Rāshid, N. M., -- 1910-1975 Rights Information about rights held in and over the resource The materials from our collections are made available for use in research, teaching, and private study, pursuant to Canadian copyright law. The user must assume full responsibility for any use of materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source. Our provision of reproductions does not constitute permission to publish or reproduce images in print or electronic form. Language A language of the resource Persian Type The nature or genre of the resource Text Identifier An unambiguous reference to the resource within a given context NMRArch-01-04-101-jadid-farsi-shairi-v1 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. No. of Files The number of files making up the digital item. 7 No. of Pages The number of pages in an item. 7 No. of Sheets The number of sheets in an item. 7 Physical Dimensions The actual physical size of the original image 8.5 x 11" Box The box in which the physical item is located. 1 Folder No. The number of the folder in which the physical item is located. 4 Folder Name The name of the physical folder in which the item is located. Jadid Farsi sha'iri poems 1 Item No. A unique number for an item within a folder. 73 Digitizer Name of the person who scanned or re-scanned the item. Zain Mian Cataloger Name of the person who cataloged the item. Nadia Javaheri-Cabrera Donor Name of the person who donated the item. Yasmin Rashed Hassan Year of Donation The year in which the item was donated. 2015 Repository Name of the institution in which the physical item resides Institute of Islamic Studies Summary Kianush, Mahmud. Mahmud Kianush, Persian poems, draft. 7 pp. 7 sheets. 8.5 x 11". Typewritten. Draft of Persian poems by Mahmud Kianush, compiled by N. M. Rashed. Includes Guftam surūd, Insān shaqāyiq nīst, Kudām dard?. Contains a few words, presumably typing errors, typed over with a sequence of the Arabic character ة. Guftam surūd: Contains a few words, presumably typing errors, typed over with a sequence of the Arabic character ة. Insān shaqāyiq nīst: Contains a few words, presumably typing errors, typed over with a sequence of the Arabic character ة. Kudām dard?: Contains a word, presumably a typing error, typed over with a sequence of the Arabic character ة. Persian. Box 1. Folder 4: Jadid Farsi sha'iri poems 1. 073. Digitized by Zain Mian. Catalogued by Nadia Javaheri-Cabrera. Donated (2015) by Yasmin Rashed Hassan to the Institute of Islamic Studies. URL https://archive.org/details/NMRArch-01-04-073-kianush-poems-draft Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mahmud Kianush, Persian poems, draft Subject The topic of the resource Rāshid, N. M., -- 1910-1975 Description An account of the resource Draft of Persian poems by Mahmud Kianush, compiled by N. M. Rashed. Includes Guftam surūd, Insān shaqāyiq nīst, Kudām dard?. Contains a few words, presumably typing errors, typed over with a sequence of the Arabic character ة. Guftam surūd: Contains a few words, presumably typing errors, typed over with a sequence of the Arabic character ة. Insān shaqāyiq nīst: Contains a few words, presumably typing errors, typed over with a sequence of the Arabic character ة. Kudām dard?: Contains a word, presumably a typing error, typed over with a sequence of the Arabic character ة. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Kianush, Mahmud Rights Information about rights held in and over the resource The materials from our collections are made available for use in research, teaching, and private study, pursuant to Canadian copyright law. The user must assume full responsibility for any use of materials, including but not limited to, infringement of copyright and publication rights of reproduced materials. Any materials used for academic research or otherwise should be fully credited with the source. Our provision of reproductions does not constitute permission to publish or reproduce images in print or electronic form. Format The file format, physical medium, or dimensions of the resource Typewritten Identifier An unambiguous reference to the resource within a given context NMRArch-01-04-073-kianush-poems-draft Language A language of the resource Persian Iran Iran men ajnabi Iranian literature Mahmud Kianush Persian literature translation typewritten