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Introductions
Translation of N. M. Rashed's "Ta'āruf". Paper is thinner and less opaque than standard. Carries corrections and suggestions in pencil. Watermark: Eaton's Corrasable Bond.
Near the Balcony
Translation of N. M. Rashed's "Darīche ke pās". Paper is thinner and less opaque than standard. Carries corrections and suggestions in pencil. In particular, large section at the end is marked "Change". Watermark: Eaton's Corrasable Bond.
Sheba in Ruin
Translation of N. M. Rashed's "Sabā wīrān". Paper is thinner and less opaque than standard. Carries corrections and suggestions in blue ink. Watermark: Eaton's Corrasable Bond.
The Smell of Mankind
Translation of N. M. Rashed's "Bū-i Ādam-zād". Paper is thinner and less opaque than standard. Carries corrections and suggestions in blue ink. Watermark: Eaton's Corrasable Bond.
X is Equal to Man
Translation of N. M. Rashed's "Lā = Insān".
Thirsty Night
Translation of N. M. Rashed's "Ai ghazāl-i shab".
The Threads of Desire
Translation of N. M. Rashed's "Tamannā ke tār".
Ai samandar. Handwritten draft
Handwritten draft of N. M. Rashed’s poem "Ai samandar". Pages numbered 28-30. Starting from the 2nd page, there is a difference in line breaks between draft and 1st edition, the lines "chānd kī tūtī hū’ī kashtī ke takhte/. kī bāhoñ par rawāñ" are…
Letter from N. M. Rashed
Letter from N. M. Rashed to Carlo Coppola, PhD student at University of Chicago, regarding a possible interview in the periodical Mahfil.
Letter from N. M. Rashed
Letter from N. M. Rashed to Yasmin Hassan. Writing in top right corner notes the letter was sent from Tehran. Blue Ink on reverse says: "Replied June 23rd". Aerogramme is different in appearance from others in folder. The colour is yellow-green and…